S E R I E S





P I G M E N T O



PT

Essa série tem origem em uma pesquisa feita por Daniel Mattar com pintura a óleo e abstrações gestuais. Ao fim desse processo, os tubos de tinta usados serviram de material para a fotografia, em que rótulos, manchas e escalas ampliadas fazem um retorno à abstração, objetivo inicial da pesquisa.



EN

A research on oil paint and the abstraction of gestures was the start for this series. Soon afterwards, the paint tubes used served as material for the photographs, in which labels, stains and enlarged scales return to the starting point of the photographer’s research: abstraction.

Tube#01, 2017 
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Tube#03, 2017
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Tube#05,2017
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Tube#07, 2017
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Tube#09, 2017
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Tube#11, 2017
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Tube#13, 2017
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Tube#16, 2017
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Tube#17, 2017
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Tube#18, 2017
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Tube#20, 2017
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Tube#02, 2017
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Tube#04, 2017
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Tube#06,2017 
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Tube#08, 2017
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Tube#10, 2017
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Tube#12, 2017
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Tube#14, 2017
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Tube#15, 2017
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Tube#19, 2017
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Tube#19, 2017
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PELE / SKIN



PT

A serie PELE é um desdobramento da serie Pigmento onde o fotógrafo Daniel Mattar interfere diretamente nos tubos de tinta antes de os fotografar no seu estudio 

EN

The serie PELE is an unfoldment of the series Pigmento where the photographer Daniel Mattar interferes directly in the tubes of ink before photographing them in his studio




SKIN #01, 2018 
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SKIN #03, 2018
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SKIN #05, 2018
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SKIN #07, 2018
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SKIN #09, 2018
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SKIN #11, 2018
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SKIN #13, 2018
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SKIN #15, 2018
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SKIN #16, 2018
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SKIN #18, 2018
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SKIN #04, 2018
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SKIN #02, 2018
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SKIN #06, 2018
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SKIN #08, 2018
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SKIN #10, 2018
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SKIN #12, 2018
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SKIN #14, 2018
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SKIN #09, 2018
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SKIN #17, 2018
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C O L O U R  S H A P E



PT

Colour Shape segue com a mesma pesquisa dos tubos de tinta a óleo da serie “Pigmento” e “Pele” onde o fotografo Daniel Mattar desenvolve um estudo de cores e formas 

EN

Colour Shape follows with the same research of the oil paint tubes in the series "Pigmento" and "Pele" where the photographer Daniel Mattar develops a study of colours and shapes




Colour Shape #01, 2018 
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Colour Shape #03, 2018
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Colour Shape #05, 2018
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Colour Shape #07, 2018
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Colour Shape #09, 2018
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Colour Shape #15, 2018
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Colour Shape #10, 2018C-print
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Colour Shape #12, 2018

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Colour Shape #14, 2018
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Colour Shape #15, 2018
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Colour Shape #02, 2018
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Colour Shape #04, 2018
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Colour Shape #06, 2018
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Colour Shape #08, 2018
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Colour Shape #10, 2018
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Colour Shape #06, 2018
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Colour Shape #11, 2018
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Colour Shape #13, 2018
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Composition #08, 2018
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Composition #09, 2018
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Composition #10, 2018
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Composition #11, 2018
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S O M A



PT
Berlim, São Francisco, Roma, Lisboa. Como um arqueólogo, Daniel Mattar pesquisou as diferentes camadas nos muros dessas cidades. Concreto, cartazes desgastados pela ação do tempo, chicletes… O fotógrafo explora a sobreposição de toda sorte de texturas usando lentes macro com muita aproximação e o deslocamento da escala.


EN
Berlin, San Francisco, Rome, Lisbon. As an archaeologist, Daniel Mattar researched the different layers in urban walls. Concrete, worn-out posters, chewing gun… In this series, the photographer explores the overlapping of textures, by using macro lenses with great magnification and the displacement of the scale.




Berlin wall #01 , 2011
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Berlin wall #03, 2011
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Berlin wall #05, 2011
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Berlin wall #07, 2011
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San Francisco wall #08, 2012
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San Francisco wall #05, 2012
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Berlin wall #02, 2011
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Berlin wall #04, 2011
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Berlin wall #06, 2011
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San Francisco wall #04, 2012
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San Francisco wall #06, 2012
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San Francisco wall #01, 2012
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San Francisco wall #07, 2012
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