S E R I E S





P I G M E N T O



PT

Essa série tem origem em uma pesquisa feita por Daniel Mattar com pintura a óleo e abstrações gestuais. Ao fim desse processo, os tubos de tinta usados serviram de material para a fotografia, em que rótulos, manchas e escalas ampliadas fazem um retorno à abstração, objetivo inicial da pesquisa.



EN

A research on oil paint and the abstraction of gestures was the start for this series. Soon afterwards, the paint tubes used served as material for the photographs, in which labels, stains and enlarged scales return to the starting point of the photographer’s research: abstraction.

Tube#01, 2017 
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Tube#03, 2017
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Tube#05,2017
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Tube#07, 2017
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Tube#09, 2017
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Tube#11, 2017
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Tube#13, 2017
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Tube#16, 2017
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Tube#17, 2017
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Tube#18, 2017
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Tube#20, 2017
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Tube#02, 2017
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Tube#04, 2017
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Tube#06,2017 
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Tube#08, 2017
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Tube#10, 2017
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Tube#12, 2017
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Tube#14, 2017
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Tube#15, 2017
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Tube#19, 2017
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Tube#19, 2017
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PELE / SKIN



PT

A serie PELE é um desdobramento da serie Pigmento onde o fotógrafo Daniel Mattar interfere diretamente nos tubos de tinta antes de os fotografar no seu estudio 

EN

The serie PELE is an unfoldment of the series Pigmento where the photographer Daniel Mattar interferes directly in the tubes of ink before photographing them in his studio




SKIN #01, 2018 
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SKIN #03, 2018
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SKIN #05, 2018
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SKIN #07, 2018
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SKIN #09, 2018
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SKIN #11, 2018
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SKIN #13, 2018
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SKIN #15, 2018
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SKIN #16, 2018
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SKIN #18, 2018
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SKIN #04, 2018
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SKIN #02, 2018
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SKIN #06, 2018
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SKIN #08, 2018
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SKIN #10, 2018
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SKIN #12, 2018
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SKIN #14, 2018
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SKIN #09, 2018
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SKIN #17, 2018
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Diptic Skin Chrome, 2018
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Diptic SKIN Lemon Yellow, 2018
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C O L O U R  S H A P E



PT

Colour Shape segue com a mesma pesquisa dos tubos de tinta a óleo da serie “Pigmento” e “Pele” onde o fotografo Daniel Mattar desenvolve um estudo de cores e formas 

EN

Colour Shape follows with the same research of the oil paint tubes in the series "Pigmento" and "Pele" where the photographer Daniel Mattar develops a study of colours and shapes




Colour Shape #01, 2018 
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Colour Shape #03, 2018
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Colour Shape #05, 2018
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Colour Shape #07, 2018
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Colour Shape #09, 2018
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Colour Shape #15, 2018
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Colour Shape #10, 2018C-print
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Colour Shape #12, 2018

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Colour Shape #14, 2018
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Colour Shape #15, 2018
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Colour Shape #02, 2018
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Colour Shape #04, 2018
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Colour Shape #06, 2018
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Colour Shape #08, 2018
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Colour Shape #10, 2018
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Colour Shape #06, 2018
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Colour Shape #11, 2018
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Colour Shape #13, 2018
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Composition #08, 2018
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Composition #09, 2018
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Composition #10, 2018
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Composition #11, 2018
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S I M U L A C R O



PT

Tóquio tem uma máquina de venda para cada 20 habitantes. Com apenas uma moeda, é possível levar para casa do chá quente à roupa íntima, sem que haja contato com outro ser humano. Esse consumo solitário está inserido na mesma lógica em que as “real dolls”, bonecas de silicone em tamanho natural e moldadas à perfeição, preenchem o vazio que vem da extrema solidão

EN

Tokyo has one vending machine for each group of 20 inhabitants. In this super automatised city, one coin is all it takes to buy everything - from tea to lingerie. These solitary acts of consumption are part of the same logic that created the so-called “real dolls”, the life-sized, silicon made dolls that are used to fulfill the emptiness brought by extreme solitude.


Hina, 2012
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Saori, 2012
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Pull down, 2012
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Dakara, 2012
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Green Tea,2012 
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Blue Saori, 2012 
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Blue Mizuki, 2012
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Mizuki, 2012
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Anna, 2012
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Dole, 2012
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Calpis, 2012
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Pokka, 2012 
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Pink Dolls, 2012
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